Authors & Speakers Network Blog with Larry James

Saturday, December 13, 2014

The Importance of Foreign Rights

Filed under: Foreign Rights — Larry James @ 8:30 am
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Bob Erdmann, Guest Author

The most successful publishers and self-published authors I’ve worked with in my four+ decades in book publishing have been those who understood that (1) publishing is a business, not a hobby; (2) have been tireless promoters of their books; and (3) fully realized that a book should be considered as a financial “asset” and as such it should gain the largest return on investment as possible. Number 3 means fully maximizing multiple revenue streams from that asset and a very meaningful revenue stream, and one that is minimally cost intensive, is foreign rights. That’s right, minimally cost intensive! The foreign publisher bears all the costs involved and pays you for the right to translate and publish your book in their country. That’s a pretty good deal, a “no-brainer”, right?

ForeignRightsOK, you’re probably wondering “what’s this all about, how does it work?” It’s really pretty simple. Foreign publishers world wide are aggressively seeking books to publish. More often than not, work by quality authors is simply not readily available in their countries so they seek acquisition of licensing rights to books already published in other countries, especially America.

You, the American publisher (or self-published author) license the right to a foreign publisher to reprint, market and distribute your book in either English in English speaking countries, or translated into a foreign language in non-English speaking countries. The entire cost to do this is borne by the foreign publisher, who pays you an advance and royalty for this licensing right. This is found money for you and a very simple way to create a significant revenue stream from your financial asset—your book—thus helping to maximize the return on your investment.

Book publishing is now on a very fast track which makes the smaller, independent publisher vulnerable to the whims and fancies of a very fickle industry. Barnes & Noble and Borders will be the first to tell you that if your book doesn’t sell very, very quickly they won’t be carrying it much longer than a cup of coffee. The same is true with Ingram and Baker & Taylor, or your distributor if you use one. As a wise investor, you need to diversify your financial assets. Build a foreign rights revenue stream to protect your number one asset!

What is the market? Simply stated, there are tens of thousands of foreign publishers in nearly 400 countries. They are looking for books that will “travel”, meaning that the content will be applicable in their country as well as the United States. Too many references to American people, places, institutions, culture, etc. will not mean much to a reader in a foreign country. Books under 250 pages are perfect. A 250 page book in most European countries would swell to more than 330 pages, thus negatively affecting the production costs, retail price, and ultimately reducing potential sales. Conversely, a 250 page book in most Asian languages will shrink to under 175 pages because of the efficiency of the languages.

The hottest categories always seem to be business, psychology/self help and other nonfiction subjects. But the foreign publishers are looking for books with specificity in those subjects, not just another “ho-hum, me-too” book. And not books that are obviously purely for the author’s self-gratification. It’s not enough for a business book to say “managing your business is a good idea”, the book needs to say specifically how to do it, and preferably with a unique angle. The countries that seem to be the most active recently are, but not limited to: China, Russia, Korea, Japan, Indonesia, Thailand, India and most of the eastern European nations.

You must make a commitment to foreign rights as an integral part of your publishing program. It doesn’t work to simply put your toe in the water once and decide if you like the temperature or not. I like to say that “it’s a marathon, not a sprint.” It’s not your one attempt, or your one deal, that creates a successful foreign rights program and consequently maximizing your investment. It’s the aggregate of frequent attempts and the many deals that will result from those attempts. I have clients in my annual Foreign Rights Programs who, after only two or three years participating, have contracts with 8 or 10 or 14 different foreign publishers for a single book. Any one deal is nice, but multiply that one book times 8 or 10 or 14 and the additional revenue from that asset is quite significant.

The Frankfurt International Book Fair is acknowledged as the world’s main and most important venue for foreign rights. It’s the granddaddy of them all! If you had to choose only one book fair for your book(s) for foreign rights sales, Frankfurt would be the well-informed, unanimous choice. Housed in ten buildings (many three stories tall) it’s thirty times larger than the London Book Fair and almost fifteen times larger than BookExpoAmerica. And most important, it’s one-stop shopping. The nearly 400,000 publishing people from every corner of the world who attend the Frankfurt Book Fair are there for one reason only….to buy or sell foreign rights.

How much revenue can you expect? That, of course, varies. It could be a little or a lot and you must be realistic in your expectations. The value will vary from country to country and from book to book. And the long-term value depends on how well it sells in a given country, just like in America. I have represented books in my Foreign Rights Program that have proven to be huge successes. An exceptional success I like to mention is the time one of my clients, a self-published author, received his first royalty check for $750,000 for the initial six month period from a Korean publisher.

The other extreme is that I have had books in my Program that earned no royalty beyond the advance. Again, just like in America, it depends on how well your book sells. The foreign publisher wants your book to be successful, perhaps even more than you do. He will make every effort to accomplish that goal since he will have a substantial financial investment in his edition of your book since he will have already paid you an advance and incurred production, printing and marketing costs.

So treat your book as a financial asset, diversify your investment to protect your interests, and search for those other potential revenue streams. Why not begin with a risk-free, minimal cost, foreign rights effort.

BONUS Articles: Foreign Rights
The Check’s in the Airmail: Foreign Publication Rights
Investigate Foreign Rights for Your Books

Copyright © 2014 – Bob Erdmann. For free information on “The Importance of Foreign Rights” and how to create a foreign rights revenue stream with no money down contact veteran publishing and foreign rights Guru Bob Erdmann. Bob gets 5 stars from Larry James. He has sucessfully sold the foreign rights to two of my books which put them in 9 other countries – India, Poland, Malaysia, Singapore, Brunei, Thailand, Indonesia, Philippines & Vietnam. He currently represents more than 200 North American authors and publishers of non-fiction books. Send your request to: bob@bob-erdmann.com or call 925-274-1348. Visit Bob’s Website at: http://www.ColumbineCommunications.com/

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Authors & Speakers Network Blog

Larry James is a professional speaker and the author of three relationship books, “How to Really Love the One You’re With: Affirmative Guidelines for a Healthy Love Relationship,” “LoveNotes for Lovers: Words That Make Music for Two Hearts Dancing” and “Red Hot LoveNotes for Lovers.” His newest book is “Ten Commitments of Networking.” Larry James also offers “Author & Speaker” coaching. Contact: AuthorsandSpeakersNetwork.com, P.O. Box 12695, Scottsdale, AZ 85267-2695. CelebrateLove@cox.net – More than 110 articles especially for Authors & Speakers at: www.AuthorsandSpeakersNetwork.com

Subscribe to Larry’s FREE monthly “LoveNotes for Lovers” eZINE. Contact: CelebrateLove.com, P.O. Box 12695, Scottsdale, AZ 85267-2695. – CelebrateLove.com and CelebrateIntimateWeddings.com

NOTE: All articles and “LoveNotes” listed in this BLOG – written by Larry James – are available for reprint in magazines, periodicals, newsletters, newspapers, eZINEs, on the Internet or on your own Website. Click here for details.

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Thursday, June 14, 2012

All About Book Advances

Rachelle Gardner, Guest Author

Let’s talk about advances today. Please keep in mind all of this information is very generalized and won’t accurately describe every situation.

First, what’s an “advance” anyway?

BookAdvanceAn advance is a “pre-payment” of the royalties the publisher expects you to earn on your book. Let’s say the publisher has agreed to pay you a royalty of 8% on the retail price of the book, and your book is going to sell for $14.00. You are going to earn $1.12 for each copy of the book sold. So if the publisher has paid you an advance of $10,000, how many copies do you have to sell to earn out your advance? Your break-even would be 8,929 copies. Your publisher has already paid you the royalty on those first 8,929 units sold. If and when your book sells more than that, your additional royalties will start accruing at the rate of $1.12 per book sold. The publisher will issue royalty statements (usually twice yearly) showing how many copies have sold, and if they owe you any royalties, a check will be included.

What is the average advance, in CBA versus ABA?

It’s impossible to give an “average” advance in either CBA (Christian Book Market) or ABA (American Booksellers Association). They’re wildly all over the map depending on so many factors. I’ve done contracts for advances ranging from $1,000 to six figures. I haven’t found ABA advances to be a whole lot higher than CBA for comparable books, but it’s true the big New York houses can generally pay more than the smaller independent Christian houses. Of course, there are plenty of smaller, independent general-market (ABA) publishers who pay smaller advances, too.

While there’s no average, agents can usually look at a proposal and make a pretty good estimate about the range the advance will end up in. We look at who the author is, what kind of book it is, where it fits into the marketplace, and how much platform the author has. It becomes clear what kind of advance the book should attract.

How are advances paid out?

Advances are usually paid out in halves, thirds, or quarters. The author gets the first portion upon signing the contract (within 30 days), the next portion after the manuscript is delivered and declared “accepted” for publication, and if there is a third portion, it’s due on publication of the book, and the fourth is due sometime after that.

openbookAnother question that’s been asked is about multiple book deals and how the advances get paid out. Here’s how it works. Let’s say you’re offered a 3-book contract with an advance of $10,000 per book, $30,000 total. The contract states you will get half of your advance upon signing, and the other half on delivery of an acceptable manuscript. So, after contract signing, you will get half of the advance for all three books. Half is $5,000, so you’ll get 5,000 x 3, which means you’ll get $15,000 upon contract signing.

Then, as you deliver each manuscript and each one is declared acceptable, you’ll receive the other half of the per-book advance. So, you’ll get three more checks for $5,000 as you turn in your manuscripts.

Is an advance negotiable, and if so, to what degree?

Most advances are negotiable, but that always depends on how much leverage we have. Are there other publishers interested? How excited about the book is the publisher? Is this book a perfect fit for the publisher? Is the book risky or more of a sure-thing? These and other factors determine how negotiable the advance is. On the lower end of the spectrum, particularly for first-time authors, a publisher may offer a small advance that’s basically “take it or leave it.” But as the value of the book goes up, and more publishers are interested, it generally becomes more negotiable.

How does the agent get paid?

The agent’s fee is usually 15% of the advance and royalties. In CBA, the standard practice is for the publisher to disburse two checks, one directly to author (85%) and the other to the agent. General market publishers normally send one check to the agent, who then turns around and sends the author their 85%.

Copyright 2012 by Rachelle Gardner. Rachelle Gardner is a Literary Agent with Books and Such Literary Agency based in California, founded by Janet Kobobel Grant. She works at the foot of the Rocky Mountains in Colorado. Visit her Blog.

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Authors & Speakers Network Blog

Larry James is a professional speaker and the author of three relationship books, “How to Really Love the One You’re With: Affirmative Guidelines for a Healthy Love Relationship,” “LoveNotes for Lovers: Words That Make Music for Two Hearts Dancing” and “Red Hot LoveNotes for Lovers.” His newest book is “Ten Commitments of Networking.” Larry James also offers “Author & Speaker” coaching. Contact: AuthorsandSpeakersNetwork.com, P.O. Box 12695, Scottsdale, AZ 85267-2695. CelebrateLove@cox.net – More than 110 articles especially for Authors & Speakers at: www.AuthorsandSpeakersNetwork.com

Subscribe to Larry’s FREE monthly “LoveNotes for Lovers” eZINE. Contact: CelebrateLove.com, P.O. Box 12695, Scottsdale, AZ 85267-2695. – CelebrateLove.com and CelebrateIntimateWeddings.com

NOTE: All articles and “LoveNotes” listed in this BLOG – written by Larry James – are available for reprint in magazines, periodicals, newsletters, newspapers, eZINEs, on the Internet or on your own Website. Click here for details.

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Add Larry James as a “friend” to your Facebook page: http://www.Facebook.com/larry.james
Follow Larry’s “once daily” Relationship Tweet at: http://www.Twitter.com/larryjames
Follow Larry’s “Relationships” BLOG at: http://CelebrateLove.wordpress.com
Follow Larry’s “Networking” BLOG at: http://NetworkingHQ.wordpress.com
Follow Larry’s “Weddings” BLOG at: http://CelebrateIntimateWeddings.wordpress.com

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